Sonnet VII

by Carmen Mason

Freely flowingxx ahxx her dark hair glowing
soft birds huddled upon a safe high ground
the candelabras glistened as she made
her way past gargoyles squatting all around.
Her lover served the red wine carefully ~
its color like the blood of love they shared
mushrooms and salmon poached on bubblingly
finger potatoes looked like piglets bared.
They laughed   told stories   batted round bon mots
until their talk led to its common theme:
coincidence and chance they’d shared a lot
(they probably met first inside a dream).
Why do some pause, then pass right out of mind
while others flyxx collide xxthen soar entwined?

Carmen Mason has written poetry and prose since she was six. She first got published in P.S. 106‘s Children’s Press. She has kept going, winning a few prizes along the way, but mainly just enjoying sharing and, while waiting for her muse to (hopefully) visit her again, telling her friends jokes by Steven Wright.

Raccoon

by Carmen Mason

I walk each day
across the bridge
wondering if we really
need a god or
are we enough ~

still, xx there’s the splayed raccoon
hit a few nights ago
its snout intact
half gritting xxxhalf grinning

The next day it’s flipped over ~
perhaps a dog or fisherman’s son flipped it
belly up xxxjumping with flies
and I want
to call you and get
you to come see it :
six grey teeth in a
grimacing mouth
belly oozing a million
undulating white worms
up and down
up and down
as if on infinitesimal
conveyor belts
striped fur gone XXface gone
nails scattered XXpawless
a fringe of paper-thin carcass
marking its small life
Oh let’s lift the baby up
And kiss its berry lips
and later dance with her
under the stars
to tangos and merengues
listen to the scat singer
syncopating the night air in
the snapping jazz club
give all our change
to the impatient waiter
look
let’s dance ’til the last dervish
lookxxxx look xxxlook!
xxxxxthe sun’s
xxxxxxxxdipping down

Carmen Mason has written poetry and prose since she was six. She first got published in P.S. 106‘s Children’s Press. She has kept going, winning a few prizes along the way, but mainly just enjoying sharing and, while waiting for her muse to (hopefully) visit her again, telling her friends jokes by Steven Wright.

Poemless in Gaza

by Carmen Mason

It is Monday again and none
have come to visit me and make me feel alive and well
none swift and dazzling, catapulting into song
none sarcastic or profound, crashing for drinks and schmoozing
startling and abusing, or dancing in the dining room
with dizziness abloom or smiting, searing
to make my senses flare, rail up

(Did Samson feel all was dead,
Delilahless, all done
unless gouged eyes could gaze again
on all he would hold up to day’s
new light, take from night’s dark knowing?)

So here I sit and wait as so much moves out there that must be
felt to tell, coax and mill, then welcomed in
The night is still so quiet   I wait   I pray so that
my hand may lift to tell
my arms press out
upon the walls that
swelling, break and fold
while something bursts the door
and greedily I’ll greet
the words
then send them out to you.

Carmen Mason has written poetry and prose since she was six. She first got published in P.S. 106‘s Children’s Press. She has kept going, winning a few prizes along the way, but mainly just enjoying sharing and, while waiting for her muse to (hopefully) visit her again, telling her friends jokes by Steven Wright.

Dylan

by Carmen Mason

My mother taught me lay and lie
and I went on to teach it well
to all my kids in school and
gave extra credit when they got it right.
My daughters still call to check
when working at their jobs and writing
something important
and I still yell at TV newscasters
when they say it wrong
and then Bob came along and
sandpapered the truth to me:
Why wait any longer when the one you love
is standing in front of you?
Laaaay laaady laaaaay, laaay across my
big brass bed, until the bray-ache of daaay
stay awhile and make me smile…
and of course it mustn’t be any other
way today.

Carmen Mason has written poetry and prose since she was six. She first got published in P.S. 106‘s Children’s Press. She has kept going, winning a few prizes along the way, but mainly just enjoying sharing and, while waiting for her muse to (hopefully) visit her again, telling her friends jokes by Steven Wright.

Surfing

by Carmen Mason 

Pythagoras lived when kids
didn’t wield box cutters and guns
or stand on lines for free condoms
missing class
when fuck-you shirts weren’t even
dreamed of by
lovehaters and childhaters
When homework wasn’t necessary because
each moment was an assignment for life
He lived when the parts still equalled the whole
and the whole was a holy thing
He    then Empedocles and later
Euclid believed the
world and all its matter mattered
and Pythagoras suggested that if you don’t get it right
you can come back and try again
in Samos or some other place and
body-state     say a fish or a goat
or a flea or Shanghai

To be brief     Pythy
opposed the taking of life
the eating of flesh or anyone who killed
or prepared animals for diet 

So I think all these drive-by shooters
babyburners     peoplerapers
mindmarauders    ethnictrashers
racelashers     fuckshirt peddlers
drug and craprap hustlers
should die     just die     then come back and try again 

I’ve been writing prose and poetry since I was six. Won the Ist prize in Seventeen Magazine’s short story contest at 17 and several poetry prizes through the years. I write because I cannot help myself. I write to empty out the thoughts I cannot hold inside a day or hour more.

 

 

 

Urgent Request to My Dell Desktop Computer

by Carmen Mason 

I would rather anyone –
my old self-absorbed mother sitting
in the dark remembering Charlie Rose,
either of my darling daughters
stopped momentarily from wrestling
with the disappointing universe,
a friend of my youth still my loyal friend,
even my obstetrician neighbor with
caked and tarred nails from slip-
shod boat patching and roof repairs or
Tony-Deli while handing me
the lacy Swiss cheese on toasted rye
or the two year-old who’s
just learned how to talk,
twelve-year-old Mack in his autistic ecstasy;
even Scotty who sells the yard sale
giveaways at his nouveau antique store
or Antoinette in overalls with her two-foot
wooden crucifix and rosary suddenly ceasing
her chanting to inform me Jesus’ll definitely
be here today
or the deaf pony-tailed carpenter whose
hundred keys announce his coming,
Elliot, the sweet starving artist or
Sylvia while she files the brave and weeping
diaries of her COVID clients or
Jimmy, the raging cross-dresser  while waiting
for his bus to eleventh-grade Hell-
and yes, my love, after kissing my hammer toe
and letting me dance atop his socked feet
(though it might pain him)-
anyone but YOU
can break the news to me: 

YOU HAVE NO MEMORY LEFT……….

xxxxxxYOU ARE OUT OF MEMORY……….

xxxxxxxxxxxxYOU HAVE NO MEMORY LEFT………

I’ve been writing prose and poetry since I was six. Won the Ist prize in Seventeen Magazine’s short story contest at 17 and several poetry prizes through the years. I write because I cannot help myself. I write to empty out the thoughts I cannot hold inside a day or hour more.

The Irish Writer Leaves Home

by Carmen Mason

How does one explain the perfume steaming
from a timid wrist
the musky scent
the flash of a white instep
Not love    not perfect flesh
but the shame of needing
a giving up    a giving in
a consummation that transfigures
for the moment
that transcends
for the moment

How can I tell my sleeping son
his mother was as brief
and as amazing as a shooting star
on a still    clear    miraculous night
that my leaving like this
without goodbyes
after spitting those acid words
into her questionmark
of a ruined face
is a refusal of everything
that warns me to stay
persist    make do
I am no longer a son of Dublin
There is a world out there
that will now    soon
make me delirious
with its musky
midnight breathing    its
ejaculatory fires
I am in need my son
in demanding need to go

Here is a kiss goodbye

I’ve been writing prose and poetrysince I was six. Won the Ist prize in Seventeen Magazine’s short story contest at 17 and several poetry prizes through the years. I write because I cannot help myself. I write to empty out the thoughts I cannot hold inside a day or hour more.

 

 

 

 

The Artist

by Carmen Mason

          When you start   everybody and everything

           is there with you    past   present   friends   family

xxxxxcritics   strangers    and all the greats

the empty brain-washed canvas

xxxxxbrushes    oily rags

xxxxxpaintswirls on the palette

xxxxxwaiting

 

or     the empty pages in  your head 

xxxxxwords   flit  like

xxxxxhummingbirds


xxxxxthen finally

xxxxxall leave one by one
 

xxxxxyou’re  all alone

xxxxxand   then

xxxxxif you’re lucky

xxxxxreally lucky on this day

 xxxxxyou leave too

I’ve been writing prose and poetry since I was six. Won the Ist prize in Seventeen Magazine’s short story contest at 17 and several poetry prizes through the years. I write because I cannot help myself. I write to empty out the thoughts I cannot hold inside a day or hour more.

 

The Youth Dance

by Carmen Mason

It was during those years when I’d look into the mirror as I now look into a suspicious salad when I think something small and dark is moving in it. I would spend hours examining my inherited bucked teeth and hazel eyes, thanking god for at least not giving me my mother’s sharp nose, too long and almost pointed. I would peruse each pimple and rosy smudge and purse my lips into a unilateral kiss, making a soft puffing smack I hoped one day would be reciprocated. Oh, to be kissed by a dream boy whom, I must admit, I had no set picture of. He must just be someone who would thrill me every time I thought of him.

So I was alone and deep into my face in the playground bathroom mirror during recess when a beautiful blond girl I’d seen in the classroom next to mine (which meant she was in the seventh grade too) came and stood next to me. She took out a golden tube of lipstick and said, “My mother’ll kill me if she ever finds out,” and putting her perfect featured face up to the mirror, smeared – back and forth, back and forth- two rose petal stripes on her pretty, slender mouth. I had moved over so we could share the mirror, but didn’t want to leave because I wanted her to stay. I could tell in that split second there was something different about her from the other girls, her voice, her enunciation (my mother’s favorite topic), her Scandinavian blondness. She was wearing a low yellow crisply ironed cotton blouse and she had real, full breasts. (Mine were just entering the world, so I wore a padded bra but I was confident they would be sufficient one day.) Anyway, she was breathtaking and when she turned and said the following to me, I knew we were going to be friends, best friends: “Aren’t you Carmen, the girl who goes to St. Peter’s Episcopal?” 

“Yes,” I said proudly. She knew exactly who I was.

“I’m Barbara Benson. I’m in the SP class next to yours. My boyfriend, Donnie Mason goes to your church. Do you know him?” I said no.

“Well, do you go to the Friday night youth dances?”

I was thrilled because I was going to my first one that very next Friday. My mother had not only agreed but was sewing me a nylon red polka dotted slightly off the shoulder dress just for that dance! I told her yes, absolutely.

“Well, if it’s not too much of an imposition -” I swear that’s just the way she talked – “could you tell me if he’s fooling around with a girl named Lynn Hinton? That’s what I’ve been told, and I just want to know if it’s true. I go to St. Paul’s Lutheran.”

I didn’t care that she wasn’t Episcopalian or was asking me to spy on her boyfriend, because I was hoping we would still be friends whether he was two-timing her or not. How could someone ask someone to spy on her boyfriend if she hadn’t already checked her out and felt she could trust her? I was more positive than ever that this girl and I would become close, despite her sophistication and my lack of it.

Anyway, I was sure Barbara knew what she was doing and could take care of herself. She appeared to me to be very sure of herself on the outside and whether she had any of those secret demons and trepidations (my mother’s word) I would find out after we had become friends. I was sure she was sensitive, could keep secrets and was ready for the loving friendship I was so prepared to give to someone.

Friday night came and I must say the dress fit perfectly. I had to walk about a mile to St. Peter’s, the oldest high Episcopal church in the Bronx that looked like a cathedral, had a bright red door and was surrounded by a big graveyard. Even though it was a warm September night and I’d be taking the bus back, my mother had given me her white woolen shawl if it got breezy. My mother and I parted friends (another good omen for the evening) and I walked with two other Episcopalians to my first youth dance. I’ll never forget how right I felt walking around the side of the church to the stone steps that led to the big rec room.

The moon was already out in the still light but a fading sky and the tombstones were softly silhouetted. I remember entering the crepe papered and ballooned room where some kids and two or three grown-ups stood against the far wall. Then some already dancing kids turned toward me and their easy smiles and a few shouts from here and there, “Hi!” and “Hello Carmen!” were all I needed to know it would all be okay. I put my shawl on a low table and joined some girls I knew from school. It took me about a minute not only to find out who Lynn Hinton was but to have her pointed out to me. She was across the room standing close to an auburn-haired boy in a gray suit. His back was to me, but she was in profile, and she was beautiful. She had shiny chestnut hair, was super-developed and flipped her hair like a slow-motion whip. Her mini skirt was brown and she had low-heeled tan shoes, the very ones I’d asked my mother to get me for Christmas. I didn’t like her one bit but the boy leaning into her magnetic field and making her laugh and giggle did. That must be him, I thought. Donnie Mason. I’ll have to tell Barbara the ugly truth and hope she doesn’t kill the messenger. (My sister taught me that expression because she was always delivering my mother’s dictums to me before my mother got to me.)

Well, the music was blasting and I was dancing mostly with other girls for the first forty-five minutes. I kept refilling my cup of Coke because my mother forbade me to drink it at home. She said that they’d put ‘coca’ from South America in it and that it was addictive. Anyway, I was full of Coke and brownies when “Rock Around the Clock” started up and I swear, like in the Bible movies with the famous Red Sea scene, the dancing kids seemed to part evenly and from across the room I saw the auburn-haired boy who’d probably just come back from necking in the graveyard with Lynn Hinton coming toward me and there, right up close to me, he said, “Hi, would you like to dance?” and I said yes and we danced first the lindy and then he pulled me into a conga line – “Kitty, kitty conga, you can do the conga…” and then, yes, I admit it, we did the “Fish” which was a slow hip-lifting kind of dance I swore I’d never be caught dead doing with anyone my whole entire life and my heart was pounding and I was sure the “coca” had taken effect and I was drugged, but I could not stop looking at his dark thick-lashed eyes (thicker than any girl’s, I swear)  and his perfect-toothed smile and listening to his conversation and I knew that I would be different than all the girls he had known before, even, yes, even Barbara with her beautiful hair and figure and speaking voice and definitely the voluptuous Lynn Hinton and her mini skirt. I knew that I had met someone I was never going to be without and when Lynn Hinton grabbed her girlfriend by the arm and said overloud, “Let’s get outta here. Now!” I kept dancing and I knew that Donnie Mason would walk me home so I didn’t have to take the bus and that I would see him, as I’ve already told you, again and again forever.

That Monday I went with shame and trepidation into the playground bathroom. I was early so I practiced some remorseful, sorrowful expressions in the mirror. I noticed that my mousy brown hair had a luster I’d never seen before, and my eyes looked big and had gold and green flecks of shining light. I closed my mouth over my buckies (someone once having buck teeth was better than having buck eyes) and waited for Barbara Benson to arrive.

“Well,” she asked softly, “did you find out anything?”

We were both as we had been when we first met, staring and talking to each other into the mirror. I looked at her hopeful reflection and said, with all my heart and soul in my words, “Barbara, I’ve got to tell you, yes, I went there and yes, he was with that girl Lynn and he was all joking and smoochy with her but then…”

“I knew it,” she squealed. “Everyone was telling me, but I wouldn’t believe them but now I know it’s all true…”

“Yes, but you have to wait because something happened. I didn’t mean for it to but it did and he walked over to me and it was like – crack – lightning in the sky, I swear, it was like we were drawn to each other like a magnet to a nail and he couldn’t stop talking and dancing with me and me too and honestly, Barbara, I didn’t mean for anything, I didn’t do a single thing but just stand there and there he was and then…”

She backed away from the mirror and turned to the real me as I did instantly to her. We faced each other and I swear she could see me trembling, but she didn’t say or do anything but look into my eyes, and then with her perfect face looking into my repentant one, she smiled and grabbed my shoulders, pushing me softly back and forth and laughing, “Oh, I don’t mind one iota, it’s fine, and I hope you can come home with me this afternoon if you’re free ‘cause we live in connected buildings , did you know that?” (I was thrilled – she’d researched me!)

“I swear Carmen, I don’t care about you two, it’s only I didn’t want that rotten girl to have him. I knew it was all over for us. Look, can you come over today? I swear I forgive you so please- just send me a note to my class,” and she hugged me and sped back to school. I breathed heavily for a while, then followed after her but had to get a late pass and I didn’t care ‘cause I knew that next to the most handsome boy in the world, I was about to get the best and most lasting friendship I’d ever desire.

Now, I know you’re thinking sure, sure, childhood fantasy made up of glory and romance.Well, six years after all this, I married Donnie Mason and we had one beautiful thick lashed, auburn-haired girl, Danielle, who we nick-named Curly Moe. Four years after another of life’s inveterate infatuations we parted, but Barbara? She’s been my true friend forever and we’re both in our seventies so that’s really saying something, isn’t it?

Carmen Mason has been writing poems and prose since she was five. She has won several short story and poetry prizes throughout the years, been published in magazines and online and is completing a book of her poems. She enjoys sharing her writings with anyone who’s interested.

 

 

 

Bobbie Conklin

by Carmen Mason

When I met Bobbie Conklin she was a petite make-up free austere suit-wearing remarkably plain-looking sixty-year-old from New England. She’d moved with her lifelong partner, Margot Hartnett, from her provincial New England hometown to a rambling apartment on Riverside Drive, joined the NYC Board of Education and become a librarian at Evander Childs High School on Gun Hill Road in the Bronx.

Bobbie sought me out because I was the literary/art editor of Evander’s The Bridge. She ran The Book Explorers’ Club and wanted me to be its president. I was thrilled because my best friend Barbara and I religiously attended Bobbie’s Friday afternoons in the cramped back room of the immense library, its walls wrapped round with J.M. Newell murals inspired by Diego Rivera. There she’d stage scenes or readings from great or little-known literary works for a packed audience not just comprised of nerds. Students of all grades and levels, jocks and social rejects, Arista members, shy freshmen, big shots and hangers-on entered that room, initially to devour her homemade brownies, Ritz crackers thick with peanut butter, both piled high on china plates, and cups of Coca Cola. Yes, dozens of foragers and faithful entered Fridays at three-sharp for the goodies, but none left until dark as Bobbie would quietly and quickly shut the only door right next to her make-shift stage where everyone would see you if you bolted.

She’d invite all to sit and give out the scripts she’d typed up each weekend to the club members – perhaps a group reading of Benet’s John Brown’s Body, Edna St. Vincent Millay’s love and political sonnets, fiery scenes from The Raisin in the Sun, hilarious ones from You Can’t Take It with You, Japanese tankas and haikus. (I will never forget Basho’s haiku: For a lovely bowl/let us arrange these flowers/ since there is no rice.)

Bobbie always gave a short, impassioned introduction to the programs and invited all there to be part of future Friday presentations if they wanted to be. Sooner or later the listeners became hooked by the poetry and prose of great masters presented by kids they’d sat with in class or passed by in the halls, often without recognition or hellos until after that magic Friday afternoon.

For years afterwards Bobbie invited all the past officers and most still local members of the club to a December dinner at her apartment. There, at a twenty-foot-long dining table, she served a scrumptious four course dinner of roast turkey with the unique and finest trimmings one might find at a Julia Child or Martha Stewart repast. But first, as we all settled down in their antique, art and book-filled living room to talk about our high school and college memories, our varied professions, the thrilling theatre and films we’d seen, the countries we’d travelled to, exploits we’d dared, loves and losses. And there, before dinner was announced, Bobbie and Margot served us all two or three icy orange-hued Side Cars in the finest crystal rimmed with granulated sugar. And I’m willing to bet not one of us ever claimed to have had that drink – invented by an American in Paris during WWI – anywhere before or since unless it was in that magical apartment on those transportive wintry afternoons.

Carmen Mason has been writing poems and prose since she was five. She has won several short story and poetry prizes throughout the years, been published in magazines and online and is completing a book of her poems. She enjoys sharing her writings with anyone who’s interested.